[QuadList] Copyright (and other rights) Issues
COURYHOUSE at aol.com
COURYHOUSE at aol.com
Sun Jun 7 14:41:29 CDT 2009
Yep all True Ted ..... Good points... I ran into the King issue when
was doing a news story and the only resource turned out to be the King site
Ted, Historically do you remember when the King issue became this
restrictive?
Ed the newsman
In a message dated 6/7/2009 11:37:18 A.M. US Mountain Standard Time,
ted at quadvideotapegroup.com writes:
On Jun 7, 2009, at 8:33 AM, _DCFWTX at aol.com_ (mailto:DCFWTX at aol.com) wrote:
It's one thing for a kid in the back bedroom of his home to broadcast his
latest skateboard video. But running corporate videos and broadcast
material containing live and deceased talent, is a risk not worth taking.
What David points out in the entirety of his post is a group of things
that go above and beyond issues of Copyright to a particular program or
content.
For music in programs, there's a "performance rights" issue... the right
to "perform" the music in public. And if one is using the music as background
for images, there's a "Synchronization License" needed. Terms and costs
vary with the intended use and potential distribution.
The documentary "Eyes on the Prize" was not able to be publicly
distributed or broadcast for quite a while, because the producers had only licensed
rights to some music clips for seven years... all they could afford to do at
the time. Which was before there was much thought to the program having
some "legs" both in broadcast and "for sale" media like VHS and DVD. I
understand those issues have been resolved recently, and the program is now
available.
The "Right of Publicity" through which celebrities (or the average person)
can control the use of their image, likeness and voice is another
significant issue, and one which many famous people—or their estates—vigorously
defend.
One such estate is that of Dr. Martin Luther King. Depending on the use,
one has to license from King's estate the of use excerpts of his "I have a
dream" speech and others, because of the underlying copyright in the written
speech, itself, and the "right of publicity" as it may apply.
The inability to clear ALL the rights—copyright, performance rights to
music, right to use a performer's appearance on a program, making
contractually required payments to musicians in a show's band or orchestra, etc.—may be
significant reasons that more programs that were recorded on Quad or
Kinescope—and are on shelves world-wide are not publicly available.
YouTube or otherwise, as David says, it can be a quagmire with some
unintended consequences.
Ted
Ted Langdell
Secretary
Skype: TedLangdell
e-mail: _ted at quadvideotapegroup.com_ (mailto:ted at quadvideotapegroup.com)
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