[QuadList] Picture of the day (link to)---and who's in it?
Bill Carpenter
wcarpen107 at yahoo.com
Mon Dec 6 21:17:47 CST 2010
Hi David and everybody,
I worked very closely with CFI in those days, and I am trying to remember my
friend who I last saw at an outfit that was colorizing movies. His name may have
been Gary Thompson. I tried to get him into a BIG still store system about 1984.
I think he went on to something with Disney.
The AVR-1 was the greatest, but also a very complex machine. The Charley Coleman
designs were Great, but usually very complicated.
I worked with Al Trost on three great machines as the Product Manager during the
Design Phase and the Product Introduction, the AVR-2, the VPR-20, and the VPR-3.
His designs were usually very basic, and clean, and bulletproof.
All of the very complex Ampex machines were also relatively small volume
products.
Namly the AVR-1, ACR-25, ADR-150, AVR-3, ACR-225, and DCT 1700, all never passed
the 500 unit built milestone. I don't know about the D2 machines?
Bye for now, Bill
________________________________
From: David Crosthwait <david at dcvideo.com>
To: Quad List <quadlist at quadvideotapegroup.com>
Sent: Mon, December 6, 2010 12:38:22 PM
Subject: Re: [QuadList] Picture of the day (link to)---and who's in it?
Bill,
The AVR1-1 will correct the same wide ranging errors, hence many facilities
recorded on VR-2000's and played back on the AVR-1 in the edit bays. CFI was
one of them. In that manner, an error in record guide position could be
immediately caught.
David Crosthwait
DC Video
Archived Media Transfer and Re-mastering Services
177 West Magnolia Blvd.
Burbank, CA. 91502
818-563-1073
818-563-1177 (fax)
818-285-9942 (cell)
DCFWTX at AOL.COM
DAVID at DCVIDEO.COM
WWW.DCVIDEO.COM
On Dec 6, 2010, at 11:24 AM, Bill Carpenter wrote:
>
>We would leave the head in the record position at all times unless I was
>demonstrating the capability of the TBC to remove guide related errors.
>
>
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