[QuadList] AMPEX VR-5100 WILL IT PLAY OTHER MACHNESTYPE A TAP...
COURYHOUSE at aol.com
COURYHOUSE at aol.com
Fri May 16 14:29:13 CDT 2014
ok! then ivc is not type A
it is its own format huh?
(In at case I hope it was really done on somethin else than an IVC!)
Ed#
In a message dated 5/16/2014 12:25:34 P.M. Mountain Standard Time,
dave at zfx.com writes:
Any tape made on an IVC 1" machine will definitely not play on an Ampex
5100...
completely different format, head drum size, #heads, tape speed, etc etc
etc.
On Fri, May 16, 2014 at 3:20 PM, <_COURYHOUSE at aol.com_
(mailto:COURYHOUSE at aol.com) > wrote:
Don - Well if we never getting it working that is ok too as we have
an Ampex camera that is a nice match for it... the TelePrompTer 1 inch
tape was supposedly done on a IVC so we will try that.
If it works that is great as we have no budget for outside services
to convert it! So fingers are crossed!
Ed#
In a message dated 5/16/2014 11:41:05 A.M. Mountain Standard Time,
dwnorwood at digitrakcom.com writes:
I agree with many of the comments on this thread, and to be sure, the
answer to Ed's question comes with many qualifiers. The primary reason that we
use VPR-7900's for recovery of Type-A tapes is their ability to handle all
three variants of the format's carrier frequencies. I believe the 5100 is
low band only which was intended only for black and white, but since the
Ampex format was direct record, you can still recover color from the lowband
tapes if they contain color material. Obviously not the best situation,
but possible. Tapes recorded in hi-band or very-high-band will not
reproduce properly on a low-band machine.
Regarding interchange, there's no doubt that the movable guides were a bad
design. However, our experience has shown that many of the interchange
problems were the result of incorrect adjustment of the machines more often
than "naturally occurring" changes in the guide path. Because this was
originally a "non-broadcast" format, much of its use was in educational or
industrial applications, and generally with un-trained operators. My favorite
example was a tape we received from a large university. It begins with no
video, but on the audio track, you hear "Hey Bill, how do you work this
thing?". Then the machine was obviously stopped, and when it was re-started,
there was video, recorded with a setup level of about 70%!
The challenges of recovering Type-A tapes can be significant, and we have
even done custom modifications when required for special problems if the
budget was available. When the tapes are good, the quality, especially from
the VHB tapes can be excellent, but that is certainly the exception rather
than the rule. Bottom line is, we're talking about a format developed in
the mid 60's, and a lot has changed since then!
Don Norwood
Digitrak Communications, Inc.
www.digitrakcom.com
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