[QuadList] IVC Recovery--"Capture" and "Banding"--
COURYHOUSE at aol.com
COURYHOUSE at aol.com
Sat May 17 23:40:17 CDT 2014
OK! Great info Ted.
Most of what I deal with is B/W
but the banding I see in the edits we do on color news stuff if it is 8
bit in Sony Vegas.. and goes away when I go 32 but.
In a message dated 5/17/2014 9:34:00 P.M. US Mountain Standard Time,
ted at quadvideotapegroup.com writes:
On May 17, 2014, at 7:17 PM, _couryhouse at aol.com_
(mailto:couryhouse at aol.com) wrote:
I just bring it into digital and hit the save a still in Sony
Vegas... or if I am watching analog footage in windows media player I do
a screen capture.....
I think what Park meant by "capture an image" was "digitize video" not
make a still.
His particular process converts composite video to component using the
Accom D-Bridge 10-bit decoder before capture as a file... say as 10-bit YUV
4:2:2 in a Quicktime wrapper.
The D-Bridge products (122 and 221) have roots in companies formed by
former Ampex engineers:
http://www.abekas.com/main/history//page1059.htm
They were intended to "Bridge" the analog to digital process, including
analog composite, D1 parallel and D2 composite.
In a message dated 5/17/2014 4:52:15 P.M. Mountain Standard Time,
_park at videopark.com_ (mailto:park at videopark.com) writes:
This is a low band color image from the late 60s, taken with a TK-42.
Notice the lack of banding, hanging dots and cross-color contamination.
The word "banding" can mean two things as related to this post:
Quad banding... where one sees variations every 16 lines (NTSC) caused by
differences in reproduction by each head (EQ, luma, chroma levels for
example.)
Or noticeable bands in light to dark areas of the picture caused by the
number of bits used in the digitization process.
You might see this on say a cyc wall where the top is darker than the
bottom. Skies are also an example of where banding might easily occur.
An 8-bit digitization step (255 steps per color) might be more likely to
cause a noticeable bands of luma or chroma. 10-bit digitization provides
1023 steps per color, so banding is less likely to occur.
Here's Larry Jordan's take on it with a visual example (originally written
in 2007 when ProRes was released):
http://www.larryjordan.biz/why-video-bit-depth-matters/
More bits and a better representation of the original analog signal is one
reason why the generally preferred Archival file for SD is 10-bit YUV
4:2:2, and in a Quicktime wrapper, although some archives use AVI if they're PC
based.
Ted
Ted Langdell
Secretary
Skype: TedLangdell
e-mail: _ted at quadvideotapegroup.com_ (mailto:ted at quadvideotapegroup.com)
Seventh Annual Quad Videotape Group Dinner at AMIA: 7pm, Tuesday, October
7. 2014, Savannah, Georgia
Eighth Annual Quad Videotape Group Lunch at NAB: 12:30pm on Tuesday,
April 14, 2015, Las Vegas Convention Center
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