<FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; On Mon, Dec 29, 2008 at&nbsp; 6:47 PM, Don Norwood wrote:</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">&gt; I think there may be some confusion as to what types of quad recordings have been discussed.</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I say:</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">&nbsp;&nbsp; Thanks for the clarification, Don.&nbsp; I entered the TV industry in 1973, long after the demise of Het color &amp; LB color.&nbsp; I thought I understood it.&nbsp; Obviously, I didn't.&nbsp; I appreciate the background info on how Ampex and RCA recorded and played color back in the early days.</FONT></DIV><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0"><br></FONT><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">                        Dennis Degan, Editor-Consultant-Knowledge Bank</FONT></DIV><DIV ALIGN="LEFT"><FONT FACE="Verdana" SIZE="2" COLOR="#000000" LETTERSPACING="0" KERNING="0">        &nbsp;                                 NBC Today Show, New York</FONT></DIV>