[QuadList] OB Film Vs. Studio Video

Scott Thomas scottgfx at mac.com
Mon Apr 12 03:10:10 CDT 2010


Makes perfect sense. I did however always notice the change when watching Monty Python and Dr. Who in the early 1980's.
Perhaps we can remaster all of that OB film footage and use Optical Flow to temporally upscale the film elements to 25 fps Interlace. :)

BTW: Tom Baker will always be "The Doctor" to me. :)

Scott Thomas


On Apr 12, 2010, at 3:05 AM, Trevor Brown wrote:

> David
> In the UK we did tend to hang onto the practice of film for outdoor inserts
> ENG was restricted to news
> 
> I think at the time there were problems that ENG was not studio quality
> But was OK for news because it was better than the fast processed pos film
> that it replaced
> 
> This was not the case for full blown production were neg film was used
> 
> The general feeling now is that film inserts into studio productions do Jar
> a little on the cuts
> You can get away with it on sitcom, but drama you are more sucked into, and
> the cuts do hurt
> 
> The ITV company I worked for was very keen on solving this problem and set
> up a two camera OB truck
> With a Quad VT (TR61) in the same truck 
> 
> Not easy to work next to racks guys they keep turning the lights off
> So you cannot see the mechanical tape counter to log takes on the paperwork
> Or work the waveform monitor, and if you have to adjust any of presets on
> the modules ............... 
> 
> OK for them they just put their hands on the Joysticks and watch monitors
> 
> Happy Days
> Trevor
> UK Member





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